Archives For November 30, 1999 @ 12:00 am

CrimeResp

Yesterday was an eventful day in the uneventful life of this site. The piece I published last Thursday, ‘Crimea: A Literary Perspective‘, was linked to in an article by Gary Brecher of PandoDaily. Owing to this, my site more than doubled its previous best view count for a single day.

Gary Brecher writes a regular column for PandoDaily, entitled ‘War Nerd’. The excellent piece he published on Monday covers the situation in Crimea, and takes the full title ‘War Nerd: Everything you know about Crimea is wrong(-er)‘. It elucidates the response to the situation of US journalists and politicians, and identifies the vital role that Russian oil will continue to play amid talk of sanctions and other consequences. It builds a picture of international relations following the end of the Cold War. More, it provides a suggestive history of Ukraine across the twentieth century, and gives a concise reading list towards a fuller understanding of the region.

Brecher noted in his piece – for the sake of comparison with the referendum which took place on Sunday – a Crimean referendum of 20 January 1991. The referendum asked Crimeans whether they wanted to restore autonomy to the region, and just over 93% of voters approved. I disagree with Brecher’s analysis of that referendum; and responded in the comments below his piece. I am quoting my response in full here, because it considers more deeply some of the recent political history of Crimea touched on in my previous two articles. In short, it looks at how Crimea reemerged as an Autonomous Republic during the latter days of the Soviet Union; and at how events in the years immediately following Ukrainian independence continue to influence developments in Crimea today. My response to Brecher’s piece:

In an insightful, informative, engaging and entertaining article, the interpretation of the Crimean referendum of January 1991 is one of the few points on which I disagree with you, Gary. I think there’s just about room for the interpretation – and it is very difficult to capture the full and convoluted complexity of the various shifts in Crimea’s modern political history, certainly without writing at vast length – but I wouldn’t depict the January 1991 referendum as Crimeans voting ‘to restore their ties with Russia’.

Crimea was governed as an Autonomous Soviet Socialist Republic from the end of the Russian Civil War until 1945, when it lost its autonomous status, and was made an Oblast, essentially a region of Soviet Russia. In 1954, the Crimean Oblast was transferred to the authority of Soviet Ukraine. Whether this was simply a gift, or whether it served a richer political purpose is debatable; but it wasn’t of profound significance at the time, because power in the Soviet Union was so centralised in Moscow.

The referendum of January 1991 asked Crimeans whether they wanted Crimea to regain autonomy. The vote has to be viewed in its immediate context. The Soviet Union was breaking down owing to separatist movements in numerous Soviet Republics. Through 1990, Gorbachev proposed to reform the Soviet Union, hoping that he could keep the political structure together by significantly decentralising power. Meanwhile Soviet Ukraine held parliamentary elections, and its parliament declared in July 1990 the sovereignty of the state. This was an assertion of Ukraine’s right to govern itself; but Ukraine still remained a Soviet Republic, and it was one of the Republics which began negotiating towards the end of the year Gorbachev’s new Union Treaty.

Crimea asking for a referendum on autonomy, and voting decisively in January 1991 for the ‘restoration of the Crimean ASSR as a subject of the USSR and as a party to the Union Treaty’, can be read as a response to the Ukrainian parliament’s declaration of state sovereignty. On the other hand, as an Autonomous Republic after January it was still part of Soviet Ukraine. Autonomous Republics in the Soviet Union were parts of Soviet Republics, granted much more autonomy than that possessed by mere regions. So the referendum didn’t mark Crimea severing ties with Ukraine and rejoining Russia; but it did imply a willingness to remain part of the Soviet Union.

Gorbachev’s new Union Treaty was never implemented: Ukraine couldn’t agree its terms, and by late 1991, the Soviet Union was dissolving. On 1 December, Ukraine held a referendum and Ukrainians voted for independence. This essentially marked the end of the Soviet Union. 54% of Crimean voters opted for Ukrainian independence, with the turnout in Crimea placed at 60%. Thus Ukraine became independent, and Crimea remained part of the newly independent Ukraine, retaining its autonomous status. Throughout 1992, the Crimean parliament made gestures towards full Crimean independence, but really sought to secure only greater autonomy from Kiev.

Perhaps more controversially – and as the refworld.org link details – in May 1992 the Crimean parliament established a Crimean constitution, and in September-October 1993 it established the post of President of Crimea. But in early 1994, after a polarising election campaign, Crimeans elected as their President a strongly pro-Russian candidate, Yuriy Meshkov. A power struggle between the Ukrainian parliament and the Crimean parliament commenced. Another Crimean referendum in March 1994 asked three questions: ‘1.3 million voted, 78.4% of whom supported greater autonomy from Ukraine, 82.8% supported allowing dual Russian-Ukrainian citizenship, and 77.9% favored giving Crimean presidential decrees the force of law’. Yet after more political turbulence – with the Crimean parliament voting to oust Meshkov in September – in March 1995 the Ukrainian parliament unilaterally abolished the post of President of Crimea, and scrapped the Crimean constitution. The Crimean parliament was forced to define a new constitution, which the Ukrainian parliament finally ratified in 1998.

So when the interim Ukrainian government today talks about the Crimean parliament’s lack of legislative power – when it comes to appointing a Prime Minister, and when it comes to calling a referendum – there is an argument that this power was taken from Crimeans by Kiev in an underhand, undemocratic, if not entirely illegitimate manner back in 1995.

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The refworld.org link referred to above, which Brecher cites in his piece, is: http://www.refworld.org/docid/469f38ec2.html

Crimean Referendum: What Comes Next?

March 17, 2014 @ 5:10 pm — 1 Comment

CrimRef

The referendum in Crimea which took place yesterday resulted – according to Mikhail Malyshev, the head of the Crimean referendum commission – in 96.77% of voters opting for Crimea’s integration with Russia. The referendum was dismissed and decried by the interim government in Kiev as a ‘circus performance’; by British Foreign Secretary William Hague as a ‘mockery of proper democratic practise’; while President Barack Obama restated that the US would never accept the validity of the referendum, and stressed that sanctions upon Russia were now imminent.

Malyshev also placed the turnout for the referendum at 83.1%, with 1,274,096 of the eligible population voting. 1,233,002 Crimeans voted for integration with the Russian Federation. 31,997 voted for the other option on the ballot, which would have seen the region remain part of Ukraine, but with the greater autonomy which it possessed back in 1992 when, following the fall of the Soviet Union, the Crimean parliament struck a hard bargain before confirming its unity with the newly independent Ukrainian state. 9,097 ballot papers were declared spoilt.

A turnout of 83.1% appears impressive, and suggests a weight of feeling within the region. Nevertheless, without independent verification – the OSCE (Organization for Security and Co-Operation in Europe) rejected an offer to observe the referendum in some capacity – these figures will be disputed; and the legality of holding a referendum without Kiev’s consent, amidst the strong presence of the Russian military, will continue to be called into question wherever it is not rejected outright. To the Crimean parliament and the city council of Sevastopol, the referendum was valid in so far as neither body accepts the legitimacy of the change of regime in Kiev: with an elected President overthrown in what they and the Russians regard as a coup, they argue that it was necessary to consult the people of their region regarding the region’s future political status. To Ukraine, and all those states across the EU and in North America who support the interim government and the impeachment of President Yanukovych, the calling of any referendum in Crimea would require parliamentary approval from Kiev.

The result of the referendum and the apparently high turnout call into question the status of Crimea’s Tatars, frequently referred to and given primacy in reports on the region both because their leadership strongly opposes integration with Russia, and because of their long and complex history within Crimea. This history is recounted more fully in the literary history of the region I published last week. Concisely, it extends back to the time of the Golden Horde in the 13th and 14th centuries, and the establishment of the Crimean Khanate, ruled by Crimean Tatars, in 1441. The Crimean Khanate existed, as a protectorate of the Ottoman Empire, until the Russo-Turkish War of 1768-1774; which saw Crimea become nominally independent before being annexed by the Russian Empire in 1783. From this point in time, Crimea experienced rapid and fundamental political and demographic change. The Tatar capital of Bakhchysarai and other major Tatar cities and settlements were replaced, as the modern cities of Sevastopol and Simferopol were built and established. With an influx of Russians, and with the resorts of Yalta and nearby Odessa becoming increasingly international, the Crimean Tatars lost influence in Crimea; and with the continuance of the Russo-Turkish Wars, culminating in the Crimean War (1853-1856), many of the Tatar populace left the region. By the end of World War I, the Crimean Tatars still made up about a third of Crimea’s population; but during World War II their number was decimated, as 200,000 Tatars were forcibly deported on Stalin’s orders, 46% of these people dying during deportation.

Today, the Crimean Tatars number just over 12% of Crimea’s population: comprising about 250,000 of a population of little over two million. The Mejlis of the Crimean Tatar People acts as the representative of the Tatar population in Crimea, and is currently led by Refat Chubarov, who has called the referendum a ‘clown show’ and the results ‘predetermined’. The Crimean Tatars were encouraged to boycott the referendum, and it appears that many did so; but the results imply significant support for integration with Russia among not only ethnic Russians but among ethnic Ukrainians too. The dissenting position of Crimea’s Tatars ought not overshadow the extent of the present-day Crimean population who evidently desire some form of close attachment with Russia, whether owing to cultural feeling or to perceived economic necessity. Opposition to the referendum must reside in the lack of proper political process and in the overt Russian military presence, rather than in the attitude of a prestigious minority group. While the history of the Tatars in Crimea is long and of undoubted importance, and their deportation during World War II tragic, the region saw centuries of rule before the establishment of the Crimean Khanate, and became something different again as part of the Russian Empire; there is little sense in positioning the Crimean Tatars as the arbiters of Crimean morality.

The Crimean Prime Minister Sergey Aksyonov – installed at the end of last month – and the Crimean parliament today formally applied for Crimea to become part of the Russian Federation, ‘as a new subject with the status of a republic’. Aksyonov has also announced plans to introduce the Russian ruble as the region’s second official currency, alongside the Ukrainian hryvnia; while scheduling for Crimea to turn its clocks forward two hours, to Moscow time, on 30 March. For their part, the Russians seem ready to push integration through both houses of their Federal Assembly: stating that the move would require no new legislative basis, it may be passed by the lower house, the State Duma, within days.

Still, what this will mean in practise – whether it will in fact prefigure a period of genuine political and economic transition – remains unclear. The Russians on the one hand continue military exercises with around 8,000 troops plus vehicles close to the Ukrainian border; while the Ukrainian press reported on Saturday a Russian military incursion into Kherson Oblast, just north of Crimea, with Russian military personnel apparently lowered by helicopter before seizing a natural gas plant. The Ukrainian parliament – who accuse the Russians of now amassing more than 20,000 troops in Crimea – have responded with the creation of a 60,000-strong National Guard, and by calling up as many as 40,000 reservists. On the other hand, all parties appear eager to keep diplomatic channels open: Vladimir Putin engaging on Sunday in talks with Barack Obama and Angela Merkel; and Russia and Ukraine agreeing a truce in Crimea until Friday, with Ukrainian military facilities allowed to replenish their reserves. Russia and the Crimean authorities have guaranteed Ukrainian military personnel safe passage from the region should it secede and confirm a new union with Russia. This, of course, depends on the Ukrainians being willing to leave.

Since Ukrainian independence in 1991, Russia has repeatedly voiced its support for Crimea to separate from Ukraine and embrace closer ties with Moscow. The integration of Crimea with Russia may therefore be seen as a fait accompli, a coming to fruition of one of Russia’s deepest wishes, securing for it economic and military access to the region and to the Black Sea. We could take the question asked by the referendum and the application made by the Crimean parliament at face value; and Russia may simply welcome Crimea as an autonomous republic as part of the Russian Federation, and set about entrenching the economic, cultural, and ideological links between the two, regardless of the costs.

Yet the costs of a perceived annexation of Crimea will be significant. Russia perhaps assumes that any sanctions imposed by the international community will not prove too severe or long-lasting, given the size of the Russian economy, their key role in the supply of European gas, and the desire to prevent anything approaching a second Cold War. A first wave of proposed sanctions proved hard to conclude, given differences within the international community regarding whether they should cover only Crimean politicians, or extend to those within Putin’s circle (the interim Ukrainian Prime Minster, Arseniy Yatsenyuk, has vigorously expressed his resolution to try the politicians involved in the referendum as separatist criminals). The sanctions announced today against 21 officials went a little further than the Russians may have expected, as they will extend to senior Russian politicians, including a deputy Prime Minister and the Chairman of the Federation Council, Russia’s upper house. Nevertheless, they have been quickly denounced as weak and insufficient in scope. But aside from the threat and imposition of sanctions, and the broader damage to Russia’s international relationships, the anger the loss of Crimea would cause in Kiev and the absence of the Crimean voting block could wrench Ukraine decisively from Russia’s influence, turning an uncertain ally into a determined foe.

Trouble in eastern Ukraine – which remains economically bound with Russia – centring on the cities of Donetsk and Kharkiv has encouraged some analysts, and some within the interim Ukrainian government, to suggest that Russia’s military presence might now extend to encompass these areas. This logic assumes that Russia would hope for a repeat of the Crimean outcome in the east of the country, with the major cities demanding independence from Kiev in order to redefine their links with Russia. However, the populace of the east is more evenly divided between ethnic Ukrainians and ethnic Russians. Any extra-political endeavour to encourage secession would be met with fierce internal opposition; Russian military progress would likely be countered by the enlarged Ukrainian army, perhaps with the support of international forces; and the situation in the east could become both protracted and bloody.

There are alternatives to a clearly defined, fully legislated integration between Crimea and Russia, and the more extreme scenario of further Russian military aggression across eastern Ukraine. The murkier possibilities for Crimea’s political future are that it operates as an autonomous republic in name, but as essentially a Russian puppet state in practise, focused solely on Moscow’s interests; or else that Russia is using the region more as a bargaining tool than with any determinate end in mind. Still other analysts have argued that the motive for Russian intervention in Crimea is a weak Russian economy, with Putin seeking first and foremost to bolster his image back home and to rouse Russian nationalist sentiment. Even at this stage, it remains possible that Russia has acted in Crimea primarily to secure its military bases and access to ports, without much thought for its long-term governance; and that the region will continue with some autonomy from Ukraine and from Russia without any fundamental change in political structure. The future of the region – if this is not to be the future of eastern Ukraine – could be as the ground of fraught negotiation and compromise between Russia, Ukraine, and the EU.

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A selection of news sources:

RT details the Crimean referendum results: http://rt.com/news/crimea-referendum-results-official-250/

Reuters and CBC reports: http://www.reuters.com/article/2014/03/16/us-ukraine-crisis-idUSBREA1Q1E820140316http://www.cbc.ca/news/world/crimea-crisis-u-s-eu-freeze-assets-of-russian-officials-1.2575297

The Guardian details Crimea’s application to become part of the Russian Federation: http://www.theguardian.com/world/2014/mar/17/ukraine-crimea-russia-referendum-complain-result

A DW interview with Refat Chubarov, leader of the Mejlis of the Crimean Tatar People: http://www.dw.de/tatar-leader-referendums-results-predetermined/a-17500078

Crimea: A Literary Perspective

March 13, 2014 @ 3:42 pm — 5 Comments

Crimea

The situation in Crimea continues to develop agallop. Following events in Kiev, unidentified Russian troops have taken control of Crimea’s airports, public buildings, military installations, and ports. Amid claim and counterclaim – the apparent defection of the chief of the Ukrainian Navy, the claimed defection of thousands of Ukrainian armed forces, and allegations that the human rights of UN envoys and journalists are being abused – and with occasional clashes between opposition groups – notably that which took place on 9 March, as the anniversary of the Ukrainian poet Taras Shevchenko was commemorated – a referendum has been scheduled which would decide the region’s future.

Initially proposed for May, brought forward by the Crimean parliament and the city council of Sevastopol (one of two cities – along with Kiev – with special status in Ukraine) to 16 March, the referendum will ask the populace of Crimea whether the region should unify with Russia. The referendum has been declared unconstitutional and therefore illegal by the interim Ukrainian government and by governments throughout Europe and in the United States. For a richer exploration of the contexts involved as the sequence of things shifts and continues in Crimea, it is necessary to provide some detail regarding the wider situation in Ukraine.

Amidst a political background of economic uncertainty and reliance on Russian oil, and with growing allegations of governmental corruption, the protest movement in Ukraine began in earnest on the evening of 21 November 2013. Earlier that day, the Ukrainian parliament had rejected a series of measures which called for imprisoned former Prime Minister Yulia Tymoshenko to be allowed medical treatment abroad; and the Ukrainian government, and President Viktor Yanukovych, issued a decree suspending the signing of an Association Agreement with the EU. This agreement, some aspects of which have been under discussion as far back as 1999, would mean closer political and economic integration between Ukraine and the EU. It includes policy on a ‘deep and comprehensive free trade area’, on visa-free movement between Ukraine and the EU (which at the moment extends only one way, with Ukrainian citizens required to possess a visa to visit EU states), and emphasises the ‘European identity’ of Ukraine.

It is worth noting that the agreement which was to be signed represented a certain amount of progress made during Yanukovych’s Presidency. Attempts towards closer integration had largely stalled under the Presidency of Viktor Yuschenko and the twin governments of Tymoshenko. More, in suspending the signing of the agreement, Yanukovych and the government underneath him – headed by Prime Minister Mykola Azarov – were not explicitly rejecting it, and at first they continued to negotiate with the EU. However, the EU had asked Ukraine to sign the Association Agreement during the EU summit in Vilnius, on 28-29 November. That this would not now occur was taken by many pro-European Ukrainians to indicate the implicit rejection of closer EU ties, in favour of a strengthening of bonds with Russia. Russia had previously indicated that the signing of the Association Agreement would negatively impact Russia-Ukraine trade relations.

Thus, on 21 November, utilising social media and encouraged by several opposition politicians, protesters began to gather at Maidan Nezalezhnosti (‘Independence Square’), the central square in the Ukrainian capital of Kiev, and one which has been used for political rallies since Ukrainian independence in 1991. The number of protesters swelled from 2,000 to as many as 100,000 over the course of the next week, with tensions rising as the Vilnius summit drew to a close: Ukraine had attended, and Azarov continued to assert the government’s desire to reach some deal with the EU, but no agreement had been signed.

Throughout the following two weeks, the protests spread to other cities – notably to Lviv, close to the border with Poland – and began calling for the resignation of the President and the government. Public buildings, including the Kiev city hall, were occupied by groups of protesters. What had began relatively peacefully became increasingly confrontational. The police commenced using batons, stun grenades and tear gas, at first to halt those protesters trying to access governmental buildings, then increasingly to break up all large-scale demonstrations. The police for their part would claim that the protesters initiated these escalations by using tear gas and other explosives. The Azarov government survived a vote of no confidence in parliament on 3 December. On 8 December, the third Sunday of the protests, the number of protesters in Kiev reached at least 500,000; but a few days later the police coordinated their efforts to clear protesters from the Maidan.

Then on 17 December, President Yanukovych and President Putin signed a treaty which saw Russia buy $15 billion of Ukrainian debt, and significantly reduce the price it charged Ukraine for natural gas. The treaty also apparently gave the Russian Navy increased access to the Kerch Peninsula in eastern Crimea. Prime Minister Azarov asserted that the deal had saved Ukraine from potential bankruptcy; while suggesting that the Association Agreement with the EU was still being considered, but some way from being signed. EU ministers stated that the treaty with Russia would not prevent the signing of the Association Agreement; still, the treaty was roundly denounced by the Ukrainian opposition.

Despite this – and despite the attack on Tetiana Chornovol, a journalist and prominent leader of the protest campaign, on 25 December – the protests remained relatively peaceful from the middle of December until the middle of January. On 16 January, a series of draconian anti-protest laws were pushed through parliament. These decreed lengthy jail terms for those engaging in ill-defined ‘extremist activity’, and introduced provisions for the censorship of the internet and social media; and quickly became referred to as the ‘dictatorship laws’. In the aftermath to the passing of these laws, the protests and the response of the authorities intensified. Three protesters were killed between 21-22 January, one shot to death by the police; prominent protest leaders Ihor Lutsenko and Yuriy Verbytsky were abducted, the latter soon found dead; and police began using water cannon on protesters despite the freezing temperatures.

On 28 January, Prime Minister Azarov tended his resignation, which was accepted. He flew first to Austria, later moving on to Russia. In early February, meetings between Yanukovych and leaders of the opposition saw some movement towards compromise and constitutional reform. However, the rhetorical confrontation engaged in by both sides continued apace. On 14 February, the 234 protesters arrested since the beginning of the protests were released from custody; and on 16 February, protesters relinquished their occupation of the Kiev city hall. But on 18 February, around 20,000 protesters began to march on the Verkhovna Rada, the Ukrainian parliament; and in the fighting which followed, with both protesters and the police firing automatic weapons and utilising explosive devices, 20 people were killed with more than a thousand injured. A brief truce held on the evening of 19 February, but the following morning the fighting resumed. With reports of police snipers targeting civilians and leaders of the opposition, a further sixty people were killed, the vast majority from the numbers of the protesters. 21 February saw a deal reached between President Yanukovych and opposition leaders, brokered by the Foreign Ministers of Poland, Germany, and France. Yet this deal too did not hold; Yanukovych fled from Kiev; parliament impeached him and formed an interim government; and the situation in the Crimea began to escalate.

Russia – alongside ministers from Yanukovych’s Party of Regions – has consistently alleged that the violence which has marked the protests has been initiated by the protesters. It argues that the protest movement has been infiltrated by or has contained within and enabled far-right nationalists, quick to adopt violent measures. The symbols and signa of nationalists have been apparent during some of the protest’s fiercest clashes; the Right Sector collective have been implicated in some of the protest’s most critical – and bloodiest – battles. In contrast, the protest movement and opposition leaders have squarely blamed a brutal and reactionary police force for the number of injured and dead; arguing that they were ordered by governmental ministers fighting to remain in power whatever the cost. In particular, the Minister for Internal Affairs, Vitaliy Zakharchenko, has been labelled a criminal for supporting the use of deadly force by the Berkut, the special police force governed by his Ministry. Immediately following the deal struck on 21 February, the Ukrainian parliament voted unanimously to suspend Zakharchenko; also voting to restore the amendments made to the Ukrainian constitution in 2004, which sought to weaken the powers of the President. Zakharchenko’s successor, the acting Minister for Internal Affairs Arsen Avakov, has since dissolved the Berkut.

In tune with their allegations regarding the involvement of far-right nationalists, Russia calls the impeachment of Yanukovych and the formation of a new government illegal, an anti-constitutional coup achieved by force. They point to the cabinet positions the interim government – led by interim Prime Minister Arseniy Yatsenyuk – has afforded three protest leaders, along with four members of the controversial nationalist party Svoboda. To the protesters and to the politicians of the opposition, this marks instead the success of a popular uprising, and the deposition of a Presidency and a government who had rendered themselves illegitimate. It could certainly be argued that – disregarding any prior instances of corruption – the grotesque actions of the Berkut were sufficient to delegitimise Yanukovych’s regime. The view of the opposition is the view which appears predominant in Western Europe and North America, and it is the view strongly forwarded by the governments of these countries. One of the problems with this view, however – and preventing any clear delineation of right and wrong – is the apparent lack of political process, the apparent absence of diplomacy, which has marked events in Kiev in the aftermath of 21 February.

The deal signed by Yanukovych and opposition leaders and impelled by the Foreign Ministers of Poland, Germany, and France called for a restoration of the 2004 constitution to prefigure further constitutional reform; the formation of a new unity government; amnesty for protesters arrested from 17 February; and presidential elections to be held no later than December. Yet in the twenty-four hours following its agreement, protesters – who condemned the deal – continued to rally and to occupy public buildings across Ukraine. Police officers abandoned the capital, whether recalled from Kiev to face protests in their home cities, fearful of riots, or refusing to uphold Yanukovych’s position any longer. Presidential buildings became unguarded; Yanukovych hurried to Kharkiv, in the north east of the country; and the Euromaidan protesters entered peacefully and unfettered the governmental buildings of the capital. With around 40 Party of Regions MPs leaving their posts or defecting, and with the tenor in the Verkhovna Rada having fundamentally altered, a new coalition was formed and parliament voted to impeach Yanukovych. Disembodied in the east, Yanukovych responded by asserting the legality of his position as Ukraine’s lawfully elected president, and denouncing events in Kiev as a coup.

Russia had already, during the course of the protests, accused Western governments – particularly the United States – of funding the opposition. But the breakdown of diplomacy immediately following the 21 February agreement increased the sense of Western meddling and Western hypocrisy, and made Russian intervention in some form all but inevitable. Russia undoubtedly perceives the hands of the West behind the ultimate ousting of Yanukovych; and considers that attempts to reach a political compromise were abandoned once the EU and the US saw their preferred outcome emerge via extra-political means. If the West portrays itself as upholding the right for Ukrainians to decide how and by whom they are governed, free from the interference of their often repressively violent and overbearing neighbour, then Russia sees the West acting out of self-interest: heralding and supporting the attempts for independence of those who would seek closer ties with it, while decrying those who would associate with alternative areas of power.

The moral case of the West inevitably implicates democracy as the system of government which best establishes and upholds the rights of the human beings who fall under it. To this supposition, democracy itself must be opened out and questioned, both for its fundamental principles and in its historical development. It is debatable whether modern democracy, as practised in the EU and US, truly allows individuals a significant say regarding how they are governed. This covers a range of concerns, from the lack of choice afforded by too-similar politicians, to revolving door policies and the power of lobbying groups, to the bailout of big banks at the expense of taxpayers, to apparently flawed electoral systems, to a perceived democratic deficit in the governance of the EU.

A notable facet of modern democracies appears to be how efficiently they stifle protest – at an ideological level, before it comes to the legal restrictions placed upon the right to protest and excessive policing of those protests which do take place. Protesters in modern democratic societies are routinely cast and outcast as dangerous and extremist regardless of the specificities of their views. Little over a week ago, 1,000 environmental protesters protested peacefully outside the White House in Washington, over the controversial fourth phase of the Keystone oil pipeline project. 400 of these protesters were arrested, their appeals dismissed as constituting ‘an extreme position…well outside the American mainstream’. De Tocqueville warned of the ‘soft despotism’ inherent in the democratic system, and always to be considered and guarded against:

Thus, after having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the supreme power then extends its arm over the whole community. It covers the surface of society with a network of small complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.

Nor can the recent history of Russian-Western relations beyond Ukraine and Crimea be dismissed. Russia can justifiably mock US Secretary of State John Kerry’s assertion that ‘You just don’t in the 21st century behave in 19th century fashion by invading another country on completely trumped up pretext’, given the invasion of Iraq – which Kerry voted for – based on alleged but nonexistent weapons of mass destruction. Meanwhile, the West’s analysis of the ongoing conflict in Syria seems increasingly open to debate. One prominent study of rocket trajectories argues that the rockets which delivered sarin gas to Ghouta, near Damascus, last August could not have been fired from within areas controlled by the Syrian government.

Thus Russia’s engagement in Crimea implicates Russian concern over Western influence, Western sleight-of-hand, and a breakdown in diplomacy; it has been encouraged by some of the protest movement’s association with aspects of the far-right; and it reflects Russia’s dislike of Ukraine’s change in political regime, as well as a perception that the Ukrainian political class is disorganised, self-absorbed, backed by various competing oligarchs, and incapable of providing the stability that could be conducive to its purposes as well as to the Ukrainian populace. Reading between the lines, there is a sense that many Ukrainian citizens would welcome close cooperation with both Russia and the EU, for economic and cultural reasons; but the more the situation in the country escalates, the more they are forced to pick sides. One of the reshaped parliament’s least helpful measures was its overturning, on 23 February, of a minority languages law, which allowed Russian to function as an official second language in those regions with a sizeable Russian population.

What Russia desires as the result of its excessively militarised response remains unclear. The annexation of Crimea is presumed, based upon the example set in Georgia, but any serious attempt towards this end would be met with international opposition: there would undoubtedly be sanctions, and a serious deterioration in Russia’s international relationships. Russia would have much to lose by perceived annexation: without the ethnic Russian population of Crimea to balance opinion in the west, and in response to such an outcome, Ukraine could slip decisively, electorally and ideologically, from its powers of influence. Russia’s Black Sea Fleet, founded along with the city of Sevastopol in 1783, is now small and old and in need of modernisation; but access to the Black Sea from Crimea remains a strategic and economic imperative for Russia. In 1997, a partition treaty divided the Black Sea Fleet and effectively formed the Ukrainian Navy; as part of the treaty, Russia was ensured military access to Crimea, and the base of its fleet in Sevastopol, until 2017. In 2010 this agreement was extended until 2042. According to its terms, Russia are allowed to station 25,000 troops on Crimea – more than the 16,000 which Ukraine claims are currently present – but, of course, these troops are not allowed to assert themselves off base and unidentified. It is plausible that Russia is endeavouring to secure primarily its military access to the region. At this point in time, any further excursions appear as unlikely as they would be unwarranted.

More than a swift reaction to recent political events, Russia’s intervention in Crimea must be read from a longer cultural and historical perspective. The broader response from the populace of Crimea to the protests in the west of the country must equally be viewed not merely within their immediate context – portrayed in opposition to the protesters’ successes in Kiev – but with an understanding of the Crimea’s own highly distinct history and culture. The trajectory of the Crimea does not merely parallel or diametrically oppose what is happening elsewhere in Ukraine: it has unique roots and currents.

The short history of Crimea as part of Ukraine began on 19 February 1954, when the Crimean Oblast was transferred from the authority of Soviet Russia to the authority of Soviet Ukraine. The rationale behind this transfer remains a subject of debate: some have considered it essentially a gift, marking the 300th anniversary of Ukraine as part of the Russian Empire; others have stressed the close cultural, economic, and practical links between the region and the Ukrainian mainland. In January 1991, Crimea was upgraded from an Oblast to an Autonomous Republic. Following the collapse of the Soviet Union, it remained part of independent Ukraine, with much autonomy and its own parliament. Across 1992 the Crimean parliament agreed to retain unity with Ukraine, but only after securing even greater autonomy from Kiev; in May, the parliament also established a Crimean constitution.

In October 1993, the Crimean parliament established the post of President of Crimea. At the same time, it agreed upon parliamentary representation for Crimea’s Tatars: the Crimean Tatars were given 14 seats in the body of 100, despite their protests that Crimea should not possess a president distinct from the President of Ukraine. After a pro-Russian President of Crimea was voted into power in 1994, in March 1995 the Ukrainian parliament unilaterally abolished the post and scrapped the Crimean constitution. A new constitution was formed and finally ratified by the Ukrainian parliament in 1998; while the treaty of friendship of 1997 regarding the division of the Black Sea Fleet calmed differences between Kiev and Moscow concerning the region.

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For those who desire a retreat from such densely political frontiers; who would extend their political understanding via other contexts; or else derive pleasure or relaxation through incidental knowledge – what follows is the long history of Crimea, seen through the eyes and down the nibs of some of the great men of Russian letters. It is a political history, a cultural history, and a literary history.

Kievan Rus flourished from about 882 – when Prince Oleg moved the capital of the Rus from Novgorod to Kiev – until the 13th century, when the Mongol Empire invaded and destroyed their major cities. While Russia gradually threw off the ‘Mongol-Tatar Yoke’, and began to emerge round the city of Moscow as a powerful independent state, Kiev and much of what is now northern and central Ukraine came under Polish-Lithuanian control. The Russo-Polish War of 1654-1667 ended in a truce, but one which forced the Polish-Lithuanian Commonwealth to relinquish Kiev and the lands east of the Dnieper River (plus Smolensk further north) to the Tsardom of Russia. These lands continued to rule themselves with some autonomy for the next hundred years, the period of the Cossack Hetmanate; but this autonomy was successively diminished during the reign of Catherine the Great (1762-1796), and the region came to be fully incorporated into the Russian Empire. Russia often considers the union between Kiev and Moscow to extend back to the beginnings of the the Russo-Polish War in 1654.

The history of Crimea is distinct from the history of Kiev and mainland Ukraine. The region passed through the firm and fragile hands of the Cimmerians, Greeks, Bulgars, and Kievan Rus, among hordes of others, before the 13th century, when it became implicated in the Venetian-Genoese Wars, between the rival Republics of Venice and Genoa. The Republic of Genoa ruled Crimea for two centuries, its rule authorised by the Golden Horde which had fragmented from the Mongol Empire. As the Golden Horde itself began to fragment and dissolve, Tatars who had settled in the region came to power and established the Crimean Khanate in 1441. This Crimean Khanate, ruled by Crimean Tatars, came under Ottoman rule in 1475, but functioned as a protectorate, with significant autonomy from the Ottoman Empire.

The Russo-Turkish War of 1768-1774 resulted in a decisive victory for Russia. It annexed the area of land which is now southern Ukraine; and while the Crimean Khanate became nominally independent, in reality it came under Russian control and was annexed in 1783. Thus by the late 1700s, all of modern Ukraine was part of the Russian Empire. The lands of southern Ukraine and Crimea were referred to as Novorossiya (‘New Russia’), and many of the region’s prominent cities were founded at this time: including Sevastopol in 1783, and Simferopol a year later, both in Crimea; and further north-west, on the mainland overlooking the Black Sea, Odessa in 1794.

Odessa grew rapidly, governed in its early years by the Duc de Richelieu, becoming a free port in 1819, and emerging as a truly multinational and multilingual city: Italian was the lingua franca, spoken alongside Russian and French (Binyon, 154). Pushkin, exiled from Saint Petersburg for writing revolutionary epigrams, spent several months in the Caucasus and Crimea in 1820. He joined the company of General Nikolay Raevksy, famous for his feats on Russia’s behalf during the Napoleonic Wars; and Pushkin formed enduring friendships with Raevsky’s sons and daughters. According to D. S. Mirsky, these months, ‘spent in the company of the Rayévskys…were one of the happiest periods of Pushkin’s life. It was from the Rayévskys also that he got his first knowledge of Byron’ (Mirsky, 81). Then, between exiles, Pushkin would spend a year in Odessa from July 1823 until July 1824. The period was particularly fruitful for his work. He had begun writing Eugene Onegin in May, and completed most of the first three chapters, including Tatyana’s letter, in Odessa. Meanwhile, he published the narrative poem The Fountain of Bakhchisaray; and Odessa also proved the source for a number of his greatest love lyrics. Personal intrigue and the proclamation of atheism in one of Pushkin’s letters was enough for the authorities to force Pushkin’s departure from Odessa; he spent the next two years at Mikhailovskoe, his family estate near Pskov.

The Crimean War (1853-1856) would come to centre upon Sevastopol, after impacting Odessa along with many of the major Russian and Ottoman cities by the Black Sea. The war may be perceived as a culmination of the Russo-Turkish wars of the previous three centuries. Provisionally, it was the result of a series of political intrigues concerning the status of Christianity in Palestine, which was then controlled by the Ottomans. Ever since the fall of the Byzantine Empire, Russia had considered itself the protector of the Eastern Orthodox Christian faith. The see of Moscow had been accepted as an Orthodox patriarchate in 1589; though rather than taking the traditional place of Rome as the first patriarchate, it was listed fifth, behind the patriarchates of Constantinople, Antioch, Alexandria, and Jerusalem. One of the consequences of the Russo-Turkish War of 1768-1774 had been the assertion of Russia’s right to protect all Orthodox Christians under Ottoman rule. Roman Catholic France, during the reign of Napoleon III, sought to alter this state of affairs, and began to negotiate with the Ottoman Empire demanding that it be given power over the Christian peoples and places of Palestine.

After the Ottoman Empire initially upheld the position of Russia, France undertook a show of force, sending the warship Charlemagne to the Black Sea. Cowed by the superior naval capacity of the French, the Ottomans ceded to their demands, allowing France and the Roman Catholic Church authority over Christianity in Palestine, and reverting to Latin an inscription at the Church of the Nativity in Bethlehem, symbolically placing it under French control. Attempts towards a diplomatic resolution made little progress, and the Russian Empire responded by sending soldiers through Moldavia and Wallachia (regions of modern-day Moldova and Romania), and to the Caucasus, which it was in the long process of annexing. (Lermontov was twice exiled as an officer to the Caucasus, and depicted the region in his novel A Hero of Our Time, published in 1840, in the middle of the Caucasian War). With both the Russians and the Ottomans also building their fleets in the Black Sea, this first phase of the Crimean War reached a climax with the Battle of Sinop. Sinop, historically called Sinope, was itself the birthplace of important writers, philosophers and theologians: Diogenes of Sinope is noted as the founder of philosophical Cynicism, and his witticisms, bold manners, and frequent quarrels with Plato are amusingly recounted in Diogenes Laertius’s Lives and Opinions of Eminent Philosophers; Aquila of Sinope completed a translation of the Old Testament into Greek, the influence of which was recognised ans assured when Origen included it as part of his Hexapla: and Marcion of Sinope was ultimately declared a heretic for his rejection of the God of the Old Testament, but his writings encouraged the formation of the New Testament biblical canon. The battle which took place in the waters of Sinop in November 1853 saw Russian warships attack an anchored Ottoman patrol force, and come away with a significant victory.

This forced the hand of the French and the British, both of whom desired to prevent the expansion of the Russian Empire into the weakening Ottoman state. In March 1854, both declared war on the Russian Empire. By September, the focus of the war had turned to Crimea, and the allied forces of the French, British and Ottomans laid siege to Sevastopol, Crimea’s largest city and home to the Russian Empire’s Black Sea Fleet. Battles were fought in nearby towns and ports, and Sevastopol was repeatedly bombarded by the allies; despite the death of the Russian Emperor Nicholas I in March 1855, the Siege of Sevastopol persisted throughout the year, until the Russian forces withdrew the following September.

The fall of Sevastopol meant Russian defeat in the Crimean War. The Treaty of Paris, signed in March 1856, saw the Russian Empire return land to the Ottoman Empire, and relinquish all claims to the Danubian Principalities of Moldavia and Wallachia, which became independent. France won authority over the Christian peoples of the Holy Land. Crimea – which had been devastated, and seen the departure of much of its population – was restored to Russian control, but the Black Sea was declared a neutral territory, diminishing the Russian Empire as a military force. The failed war effort had also hurt the Empire economically, and the practical and psychological ramifications had far-reaching consequences: they encouraged the Alexander reforms of the 1860s, where Alexander II – Nicholas I’s son and successor – emancipated the serfs, and later reformed the Russian judiciary and military; and they impelled the sale of Alaska to the United States in 1867, with Russia struggling for funds and fearing they may lose the region without recompense in future military engagement.

Tolstoy had travelled to the Caucasus in 1851, and was motivated to sign up for the Russian army, serving in the same artillery regiment as his brother Nikolay. For two and a half years he participated in the Caucasian War; he was based in modern-day Chechnya. It was during this period that he began in earnest his artistic career: he completed, and saw published in The Contemporary, his first novel Childhood; wrote and published his second novel Boyhood; and in between published his first short story, ‘The Raid’, a realistic portrayal drawing upon his experiences in the region. In 1853, he attempted to resign from the army, but as an officer, his resignation was refused owing to the onset of the Crimean War.

So Tolstoy became an active participant in the Crimean War, serving in Bucharest from March 1854, then in November travelling to Odessa, then on to Sevastopol, where he was to be based for the next year. He began work on Youth, the final novel in his autobiographical trilogy; and wrote three reports on the war, ‘Sevastopol in December’, ‘Sevastopol in May’, and ‘Sevastopol in August’. ‘Sevastopol in December’ was published in June in The Contemporary. While his first two novels had resulted in literary acclaim, this first piece of war reportage brought Tolstoy a wider reputation across Russia. ‘Sevastopol in May’, a harsher, bleaker, and anti-militaristic depiction of the war, was butchered by the censor. The three texts would be published as the Sevastopol Sketches after the war had ended; together, they comprise Tolstoy’s claim to being the first modern war correspondent (an accolade often bestowed upon William Howard Russell, who covered the Crimean War for The Times). The Siege of Sevastopol would provide another first within the realm of Russian art and letters: Defence of Sevastopol was the Russian Empire’s first feature film, premiering at the Livadia Palace in Crimea in October 1911. The Livadia Palace near Yalta, a summer estate of the Russian Emperors from the 1860s, rebuilt by Nicholas II, would host the Yalta Conference towards the close of World War II.

Numerous biographers depict Tolstoy’s year in Sevastopol as decisive for his personal and artistic development. Both Henri Troyat and Rosamund Bartlett cite a diary entry he made in March:

Yesterday a conversation about divinity and faith led me to a great and stupendous idea, the realisation of which I feel capable of devoting my whole life to. This idea is the foundation of a new religion corresponding to the development of mankind – the religion of Christ, but purged of dogma and mystery, a practical religion, not promising future bliss but providing bliss on earth. I realise that to bring this idea to fruition will take generations of people working consciously towards this goal. One generation will bequeath this idea to the next, and one day fanaticism or reason will implement it. Working consciously to unite people with religion is the foundation of the idea which I hope will occupy me.

Bartlett comments that, ‘In a sense all of Tolstoy’s future career is here, as he was always a religious writer, concerned with seeking the truth. In his early works this concern was implicit, but it became increasingly explicit as he evolved as an artist’. Troyat writes, ‘The whole of Tolstoy’s future doctrine is summed up in these few lines scribbled in his notebook: refusal to submit to Church dogma, return to early Christianity based on the Gospels, simultaneous search for physical well-being and moral-perfection…The time was undoubtedly not yet ripe for a full spiritual flowering. But a slow process of fermentation had begun, deep within this unquiet soul, a subterranean and painful preparation for apostolate…in the state of perpetual mental upheaval which he lived, one idea remained constant: write’.

Tolstoy’s perspective on ‘the religion of Christ, but purged of dogma and mystery’ reverberates in the works of Dostoevsky, particularly in the Grand Inquisitor passage from The Brothers Karamozov. Tolstoy’s religious and ethical views, his Christian anarchism, his pacifism, and his focus on man’s relationship with the land, would also profoundly influence foreign thinkers, including Wittgenstein and James Joyce. Still, other historians view the decisive impact of Sevastopol upon Tolstoy in material rather than spiritual-artistic terms.

Tolstoy remained at this point in his life a fervent gambler and womaniser. Orlando Figes recounts, ‘In 1855 Tolstoy lost his favourite house in a game of cards. For two days and nights he played shtoss with his fellow officers in the Crimea, losing all the time, until at last he confessed to his diary ‘the loss of everything – the Yasnaya Polyana house. I think there’s no point writing – I’m so disgusted with myself that I’d like to forget about my existence’. Much of Tolstoy’s life can be explained by that game of cards. This, after all, was no ordinary house, but the place where he was born, the home where he had spent his first nine years, and the sacred legacy of his beloved mother which had been passed down to him’. Tolstoy returned to Yasnaya Polyana towards the end of May 1856, after several months in Saint Petersburg and Moscow. With the family house sold and dismantled to pay his debts, he lived in one of the remaining wings and, ‘as if to atone for his sordid game of cards, he set about the task of restoring the estate to a model farm’. Tolstoy would continue at Yasnaya Polyana for the remainder of his life, leaving just over a week before his death in the stationmaster’s house at Astapovo; he was buried at Yasnaya Polyana, amid thousands of mourners, in a treasured spot of the woods by his home.

The Crimean War had also seen the allied forces lay siege to Taganrog, a port city on the Sea of Azov, in the Rostov region of Russia which borders modern Ukraine.  Taganrog withstood the siege by British and French forces between June and August 1855, though it suffered significant damage; consequently, the city was exempted from taxes in 1857. In 1860, Chekhov was born in Taganrog. When he was diagnosed with tuberculosis in 1897, he was required to seek warmer climes than those of Moscow or Melikhovo, the estate twenty miles south of Moscow where he had lived since 1892. So at the end of August 1899, Chekhov sold Melikhovo and moved to Yalta, where he had built a villa. East of Sevastopol and overlooking the Black Sea, since the Crimean War Yalta had emerged as the most popular resort within the Russian Empire. Chekhov was not overly fond of Yalta, which he called a ‘hot Siberia…there is nothing here to interest me’; and he bemoaned the tendency of Russian doctors to proscribe time in Crimea for anyone suffering the slightest cough. He would have preferred to return to Taganrog, but the city did not have an adequate water supply. Still, Chekhov lived in Yalta until June 1904 when, his health deteriorating, he travelled to the spa town of Badenweiler in Germany, dying there the following month.

In Yalta – aside from receiving visitors, and spending some time with Tolstoy, who stayed at nearby Gaspra between 1901 and 1902 – Chekhov wrote his two final plays, Three Sisters and The Cherry Orchard. Both were written for the Moscow Art Theatre, who produced them under the direction of Constantin Stanislavski. Chekhov wrote the part of Masha in Three Sisters specifically for Olga Knipper, a leading actress with whom Chekhov had corresponded since she appeared in The Seagull in 1896. The pair would marry in May 1901. Also in Yalta, Chekhov wrote some of his greatest short stories, including ‘In the Ravine’ and ‘The Lady with the Little Dog’. The latter begins in Yalta: a middle-aged man and a young woman, both married but visiting alone, meet there and become lovers. They return to their different lives, but eventually begin meeting secretly in Moscow. They talk to each other, they feel that they are in love, and the story ends:

And it seemed as though in a little while the solution would be found, and then a new and glorious life would begin; and it was clear to both of them that the end was still far off, and that what was to be most complicated and difficult for them was only just beginning.

Nabokov described Chekhov’s story: ‘All the traditional rules of story telling have been broken in this wonderful short story of twenty pages or so. There is no problem, no regular climax, no point at the end. And it is one of the greatest stories ever written’.

Nabokov’s father would be a key figure during the next tumultuous period in Crimea’s history, as the Russian Empire succumbed to revolution and civil war. The February Revolution of 1917, centred on Saint Petersburg – which had been rechristened Petrograd during World War I, an attempt to remove all vestiges of German from the name – and in fact emerging out of protests to mark International Women’s Day, resulted in the abdication of Nicholas II, who had lost popular, political, and military support. He named the Grand Duke Michael, his brother, as his successor, but the political situation was not conducive for any succession, and Michael declined to accept until the formation of an elected Constituent Assembly, which could approve his role. It was Nabokov’s father, Vladimir Dmitrievich Nabokov, who wrote Michael’s abdication letter; and in the Provisional Government which formed under Alexander Kerensky in the absence of a ruler, Vladimir Dmitrievich served as secretary.

Kerensky’s government was progressive, but struggled to assert a new political structure. It made numerous missteps of its own; angered the populace by refusing to withdraw from the war; and suffered fierce opposition, from the Petrograd Soviet within the capital, and from the Bolsheviks further afield. It fell in the October Revolution of 1917 which saw the Bolsheviks seize power. Vladimir Dmitrievich would later write an important memoir of this period, entitled The Provisional Government. More immediately, Nabokov’s family were forced to hurry from Petersburg, and they moved to Crimea. Nabokov’s biographer, Brian Boyd, summarises the political climate:

Three main political currents swirled around the Crimea late in 1917: the Socialist Revolutionary influence dominant in the countryside and in the local zemstvos; the nationalism of the Tatars, one-third of the population, who during the power vacuum of 1917 had set up their own parliament to administer Tatar affairs; and the anarchism of the sailors and soldiers in the port cities, especially Sebastapol, headquarters of the Black Sea fleet. While most of the unruly sailors at Sebastapol felt themselves full of revolutionary spirit, they had little inclination to Bolshevism until heavily armed Baltic sailors were dispatched from Petrograd late in the year. A takeover of the Sebastapol Soviet in December gave Bolsheviks power in the city and set in motion the first of the region’s massacres (more than a hundred officers killed). Elsewhere the Crimea was calm, with Tatar military detachments holding the area around Simferopol.

It was these Tatars, making up around a third of the population in late 1917, and setting up their own government – the Crimean People’s Republic, which lasted for only one month between December 1917 and January 1918, but may be considered an attempt to form the first secular Muslim state  – who would be forcibly deported from the region during World War II. The Soviet Union under Stalin accused the Crimean Tatars of collaborating with the Nazis, and the population of 200,000 were deported, the vast majority to the Uzbek SSR. It is thought that 46% of these people died during deportation. The Tatars only began returning to Crimea during the 1980s; today, they comprise around 250,000 of the region’s population of just over two million.

Staying at Gaspra, the Nabokov family initially sought to stay out of current affairs, Vladimir Dmitrievich’s political past making him vulnerable to arrest or worse. As the Russian Civil War progressed and the Bolsheviks endeavoured to assert themselves in Crimea, World War I continued, German troops advanced and, in late April 1918, occupied the region. This was a welcome relief for much of the populace, a respite from the tension and potential bloodshed of the Bolsheviks clashing with their opponents. Crimea became a relative stronghold of the opposition, and authority in the region would pass between the Bolsheviks and their opponents over the next few years.

When the Germans withdrew from Crimea and the puppet government they had installed fell in November 1918, the Crimean Regional Government formed under Solomon Krym. This Crimean Regional Government was opposed to the Bolsheviks, but was not closely allied to the White Army, drawing its members from both socialists and non-socialists, and concerned with the specifics of the local situation. Vladimir Dmitrievich Nabokov became the government’s minister of justice, and served until April 1919 when, weakened by its differences with the White Army, the Bolsheviks again seized power. Nabokov’s family were again forced to depart, and they eventually made their way, through Greece, to England, where Nabokov would study at Cambridge. Crimea would become the site of the last stand of the White Army: the defeat of the White Army, under the command of General Wrangel, in November 1920 effectively marked the end of the Russian Civil War. The Crimean Autonomous Soviet Socialist Republic was formed a year later, and converted to the Crimean Oblast, fully part of Soviet Russia, in 1945. Nabokov’s father Vladimir Dmitrievich died in Berlin in March 1922, shot in the process of defending one of his liberal political rivals from far-right gunmen.

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For the political overview of this piece, I have used a variety of news sources – including Reuters, the BBC, The Guardian, The New York Times, Foreign Policy, Slate, and RT; online encyclopedias, notably Wikepedia; and each of the books listed below.

A selection of sources:

The BBC’s timeline of the Ukrainian crisis: http://www.bbc.co.uk/news/world-middle-east-26248275

A depiction of the role of the far-right in the protest movement: http://www.bbc.co.uk/news/world-europe-26468720

A New York Times piece on the fall of Yanukovych: http://www.nytimes.com/2014/02/24/world/europe/as-his-fortunes-fell-in-ukraine-a-president-clung-to-illusions.html

RT’s response to the interim Ukrainian government’s cancellation of the minority languages law: http://rt.com/news/minority-language-law-ukraine-035/

‘Facts you may not know about Crimea’: http://rt.com/news/russian-troops-crimea-ukraine-816/

On the arrest of Keystone pipeline protesters in Washington: http://www.reuters.com/article/2014/03/03/us-usa-keystone-protest-idUSBREA210RI20140303

A study suggesting that chemical weapons used in Syria could not have been fired from within areas controlled by the Syrian government: http://www.mcclatchydc.com/2014/01/15/214656/new-analysis-of-rocket-used-in.html

An opposing perspective: http://www.theguardian.com/world/2014/mar/06/sarin-gas-attack-civilians-syria-government-un

Literature:

Rosamund Bartlett Chekhov: Scenes from a Life (Free Press, 2005)

Rosamund Bartlett Tolstoy: A Russian Life (Profile Books, 2010)

T. J. Binyon Pushkin: A Biography (New York: Vintage, 2002)

Brian Boyd Vladimir Nabokov: The Russian Years (London: Vintage, 1993)

Anton Chekhov Selected Stories of Anton Chekhov (trans. R. Pevear & L. Volokhonsky) (Modern Library, 2000)

R. F. Christian (ed.) Tolstoy’s Diaries (London: Flamingo, 1994)

Norman Davies Europe: A History (Pimlico, 1997)

Orlando Figes Natasha’s Dance: A Cultural History of Russia (Penguin, 2003)

D. S. Mirsky A History of Russian Literature (London: Routledge & Kegan Paul, 1968)

Vladimir Nabokov Lectures on Russian Literature (Harcourt, 1981)

Henri Troyat Tolstoy (Penguin, 1980)

Mosc

The finale of the Diamond League last Friday in Brussels brought a close to the 2013 season of athletics. Brussels saw some athletes – most notably Shelly-Ann Fraser-Pryce and Mohammed Aman – extend their excellent form across the duration of the season; allowed others to gain a measure of revenge for prior losses; and secured overall Diamond Race victors in eighteen events. This was an athletics season which culminated less than a month ago in Moscow, with the 2013 World Athletics Championships. What follows here amounts to a discussion of some of this championships’ most interesting facets.

Accusations of poor attendance ought to be put into context:

A recurring complaint throughout the World Championships referred to the number of empty seats on display in Moscow’s Luzhniki Stadium. This was a theme taken up particularly within the British press, with the BBC reflecting on the nine-day championships with pieces entitled ‘Moscow memories: Empty seats and a muted atmosphere’ and ‘World Athletics 2013 review: Bolt, Farah, Isinbayeva and empty seats’; the Daily Mail running with ‘Triple champion Bolt criticises empty seats, boring food and organisation at ‘not the best’ World Championships’ (Bolt did profess to being used to seeing stadiums ‘rammed and absolutely packed’); and UK Eurosport headlining an article ‘World Championships marred by thousands of empty seats’.

To an extent, such complaints simply reflect the observations of those in attendance, for there were prominent areas of empty seating particularly throughout the morning sessions of the championships. Yet that the BBC – among others – have argued that the championships ‘will be largely remembered for empty seats and a muted atmosphere’, stating that the Luzhniki Stadium was ‘sparsely populated’, amounts to overemphasis: impelled by a desire to evoke and glorify last summer’s London Olympics; unfair when Moscow’s attendance figures are viewed and put into perspective; and unfair too, and potentially damaging, where it concerns Russia, those athletes who excelled there, and the sport of athletics taken as a whole.

Moscow 2013 was attended by a total of 340,405 paying spectators. This represents a significant fall from the number of fans who attended the World Championships in Daegu in 2011, which totalled just under 445,000. Further back, Berlin 2009 sold 397,000 tickets, and Osaka 2007 sold 254,000. The number of tickets sold for these two championships does not equate to their actual attendances: Daegu and Moscow both utilised ticket scanning systems to determine how many spectators actually turned up for each session of competition, and with the number of tickets sold in Daegu amounting to nearly 500,000, attendance in this instance was almost 11% behind tickets sold. A similar drop applied to the number of tickets sold for Berlin would give an attendance figure of around 354,000; regardless, in the wider context of recent World Championships, the attendance for Moscow 2013 appears respectable.

Further analysis helps explain the perception of an abundance of empty seats. Where Daegu saw 261,792 paying spectators attend its eight evening sessions, Moscow’s eight evening sessions were attended by 268,548 (that number rises to 396,548 when all VIPs, guests, media, and athletes’ friends and family are taken into the account). This is a significant figure, offset by the relatively poor showing for the morning sessions, which saw only 71,857 attend. The dearth of people within the Luzhniki Stadium on a morning time – when heats and qualifiers were taking place – served to establish concerns about a deserted stadium.

Crucially – despite refurbishment in 1996 covering the stands and reducing the capacity from 103,000, where it stood during the 1980 Summer Olympics – the Luzhniki Stadium still has a large capacity of 78,360. It is practise for large stadiums to be configured in such a way for World Athletics Championships that their capacities for paying spectators are significantly reduced. Berlin’s Olympiastadion possesses a capacity of 74,064, which was reduced by more than half for paying spectators during the World Championships held there in 2009. Daegu Stadium boasts a capacity of 66,422; aside from the 2011 championships’ opening night, for which 46,379 seats were available, 34,030 seats were given over to fans each session for the duration of competition. In Moscow, 43,000 seats were available to paying spectators during the championships’ six weekend sessions, with 34,000 seats allocated for each of the five weekdays, and an additional 16,000 seats reserved for accredited visitors at all times. The relative size of the Luzhniki Stadium, and the increased seating given over to spectators, meant that while attendance figures through Moscow were in fact fairly strong, there was nevertheless a greater impression of spare seats.

The shape and flow of the 400 metres:

Watching Christine Ohuruogu gain ground on defending champion Amantle Montsho in the final of the women’s 400 metres, it is easy to presume that Ohuruogu gained speed towards the latter part of the race. Despite being in fifth position – behind Montsho, the Americans Francena McCorory and Natasha Hastings, and the Russian Antonina Krivoshapka – and well back on Montsho coming into the final bend, Ohuruogu’s dip on the line saw her beat Montsho by four-thousands of a second to take the gold medal in the event.

In fact, Ohuruogo ran faster over the first 200 metres of the race than she ran over the second 200 metres. This is standard for 400 metre runners. The site ‘Brian Mac: Sports Coach’ suggests – alongside a wealth of other estimations and evaluations, many based on 100 metre split times – that elite 400 metre athletes typically run their second 200 metres 1.2 seconds slower than they run their first. Ohuruogu often seems to be increasing in speed towards the end of her races because she runs a more even 400 metres than most; and therefore, without running any faster, closes down upon and often passes in the home straight other athletes who set off more quickly. In her own words, ‘I never panic. I knew in the last 50 metres that the others would start dying. In the last 50 metres I will work. I still die – but I die less than they do’.

There are rare exceptions to the rule. The French male 400 metre runner Marc Raquil became well known for a storming finish after an unusually slow start; epitomised in his bronze-medal finish at the 2003 World Championships in Saint-Denis, Paris. In the final, Raquil was comfortably last going into the home straight, but flung his body forward over the last 100 metres to finish in third.

In winning the gold medal, Ohuruogu broke her personal best and set a new British record in the event. Her time of 49.41 surpassed Kathy Cook’s twenty-nine-year-old record of 49.43, which Cook recorded in achieving bronze at the 1984 Los Angeles Olympics. Amantle Montsho’s personal best is slightly better than Ohuruogu’s, standing at 49.33, set at the Diamond League event in Monaco earlier this year. Interestingly – and without it making her a favourite among commentators going into the final – the personal best of Antonina Krivoshapka, who finished in third, was easily the strongest amongst the field. She is recorded as having run a time of 49.16 in Cheboksary, Russia, in July of last year.

Contentious rulings in the 4×100 metres relay:

The men’s 4×100 metre relay final saw the Jamaican team victorious. The success of the Jamaicans in the event in major competition extends back to the 2008 Beijing Olympics, where they took Olympic gold in a world record time of 37.10 – breaking by 0.3 seconds a record held by the United States for sixteen years, set in Barcelona in 1992 and equalled a year later in Stuttgart. A gold medal and a championship record followed for the Jamaicans at the 2009 World Championships; two years later, they took another world gold, and set a new world record of 37.04; and at last summer’s London Olympics, they achieved gold with the current world record time of 36.84.

In Moscow, the United States finished in second place, with Canada promoted to third after the Great British team were rightly disqualified for failing to pass the baton within the changeover box during their second changeover. Canada’s upgrade to the bronze-medal position alleviated some of the pain which they suffered at last year’s Olympics. Then – after finishing in third and celebrating what they thought was an Olympic medal – they were ultimately disqualified for having stepped on the inner-lane line during their third and final changeover. Trinidad and Tobago were awarded third in their place.

During this year’s final, the United States team were also guilty of stepping beyond the confines of their lane during their final changeover – yet they were not disqualified for it. As Justin Gatlin sought to receive the baton from Mookie Salaam, he clearly stepped into the outside lane, occupied by the Jamaican team. The rationale behind the acceptance of this, and the failure to disqualify the Americans, appears to be that the Americans didn’t impede the Jamaicans by transgressing into their lane; and that while stepping into the inside lane reduces the amount of track you have to run, and can thereby improve your time, stepping into the outside lane only adds to your race distance.

Yet when it comes to a changeover in the 4×100 metres relay, sometimes more track is precisely what a team requires. In moving to the outside lane whilst in the process of a changeover, you can essentially give yourself more time and more space in which to complete your changeover within the allocated box. It is arguable whether Gatlin impeded Usain Bolt, who took the baton for the Jamaicans’ last leg: the Americans were actually just ahead of the Jamaicans as both teams came into the changeover, but Bolt held a wide line and didn’t seem affected by Gatlin’s presence. Certainly the American changeover was poor, and saw them lose ground to their rivals – though with Bolt pulling away over the last 100 metres, it seems unlikely that a smoother changeover would have altered the result. However, the point is that – with Salaam struggling to get the baton to his runner – Gatlin’s running wide extended the space of the changeover box, and helped to ensure that the Americans passed the baton and finished the race without the sort of egregious and incontestable error which saw Great Britain disqualified.

The relay win made Bolt the most successful athlete in the history of the World Championships. He moved onto ten medals alongside Carl Lewis and Allyson Felix – but his eight golds and two silvers eclipse their collections of eight golds, one silver and one bronze. Michael Johnson possesses an outstanding record in the World Championships of eight medals, all gold; LaShawn Merritt has six golds and two silvers; while for the women, Merlene Ottey’s total haul of fourteen medals surpasses Felix’s, but is comprised of just three gold medals, with four in silver and seven in bronze.

Farah, Aman, Dibaba, Kiplagat, and more:

Moving away from analysis, towards cold and hard, yet still supple and engaging facts, the nineteen-year-old Mohammed Aman became the first Ethiopian to take World Championships gold in an event shorter than 5,000 metres. With David Rudisha absent owing to a knee injury sustained earlier in the year while running in Central Park, Aman grabbed the 800 metre title, beating Nick Symmonds and Ayanleh Souleiman into silver and bronze in a quick and competitive finish to the race. Aman’s impressive season carried through to Friday in Brussels, as he won the 800 metres in a personal best – and world leading and national record – time of 1:42.37. This puts Aman ninth on the all-time list for 800 metre running.

Aman’s compatriot, Tirunesh Dibaba, graced the championships with victory in the women’s 10,000 metres. Dibaba has never lost a 10,000 metre race, in a career which has seen her take three World Championships golds and two Olympic golds in the event. Adding her one Olympic gold, two Olympic bronzes, and two World Championships golds over 5,000 metres, plus a variety of World Cross Country Championships medals, Dibaba – still only twenty-seven – is a strong contender for the title of greatest ever female long-distance runner. Going longer still in Moscow, Edna Kiplagat’s triumph in the women’s marathon marked the first time that a women has retained the world title in the event.

Mo Farah’s remarkable realisation of a double-double – for he won gold in both the 10,000 and 5,000 metres, after managing the same feat at the Olympics last year – is an achievement matched only once before, by Kenenisa Bekele across 2008 and 2009. Indeed, while six other men have ran an Olympic double in the 5,000 and 10,000 metres – Hannes Kolehmainen in 1912, Emile Zátopek in 1952, Vladimir Kuts in 1956, Lasse Virén in 1972 and again in 1976, Miruts Yifter in 1980, and Bekele in 2008 – Farah and Bekele stand as the only two athletes to have achieved this double in the thirty-year history of the World Championships (Bernard Lagat ran a shorter distance double in Osaka in 2007, winning the 1500 and 5,000 metres). Farah took gold in the 10,000 metres on the first day of competition in Moscow, holding off the challenge of Ibrahim Jeilan, who pipped him to the title in 2011; before securing the 5,000 metres with a consummate performance the following Friday.

Here are a selection of documents and sources – videos, images, and text – relating to and referred to in the piece I just published, on the influence of Nicholas Roerich and Asiatic culture on Stravinsky’s The Rite of Spring.

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Mikhail Glinka, Ruslan and Lyudmila (1842) – Overture

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Nikolai Rimsky-Korsakov, Scheherazade, Op. 35 (1888)

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Vladimir Soloviev, ‘Pan Mongolism’ (1894)

Pan Mongolism! The name is monstrous

Yet it caresses my ear

As if filled with the portent

Of a grand divine fate.

While in corrupt Byzantium

The altar of God lay cooling

And holy men, princes, people and king

Renounced the Messiah –

Then He invoked from the East

An unknown and alien people,

And beneath the heavy hand of fate

The second Rome bowed down in the dust.

We have no desire to learn

From fallen Byzantium’s fate,

And Russia’s flatterers insist:

It is you, you are the third Rome.

Let it be so! God has not yet

Emptied his wrathful hand.

A swarm of waking tribes

Prepares for new attacks.

From the Altai to Malaysian shores

The leaders of Eastern isles

Have gathered a host of regiments

By China’s defeated walls.

Countless as locusts

And as ravenous,

Shielded by an unearthly power

The tribes move north.

O Rus’! Forget your former glory:

The two-headed eagle is ravaged,

And your tattered banners passed

Like toys among yellow children.

He who neglects love’s legacy,

Will be overcome by trembling fear…

And the third Rome will fall to dust,

Nor will there ever be a fourth.

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Golden bull figurine, from the Maikop kurgan (excavated 1897)

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World of Art magazine, 3rd Edition (1901)

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Nicholas Roerich, Guests from Overseas (1901)

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Nicholas Roerich, Set Design for Act III of The Polovtsian Dances (1909)

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Nicholas Roerich, Preliminary Paintings for ‘The Great Sacrifice’ (the working title of The Rite of Spring) (1910)

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Nicholas Roerich, Costume Designs for The Rite of Spring (1913)

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Nicholas Roerich, Set Designs for The Rite of Spring (1913)

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Original Costumes for The Rite of Spring (1913)

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Igor Stravinsky, The Rite of Spring (1913)

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Alexander Blok, The Scythians (1918)

You are millions. We are hordes and hordes and hordes.

Try and take us on!

Yes, we are Scythians! Yes, we are Asians –

With slanted and greedy eyes!

For you, the ages, for us a single hour.

We, like obedient slaves,

Held up a shield between two enemy races –

The Tatars and Europe!

For ages and ages your old furnace raged

And drowned out the roar of avalanches,

And Lisbon and Messina’s fall

To you was but a monstrous fairy tale!

 –

For hundreds of years you gazed at the East,

Storing up and melting down our jewels,

And, jeering, you merely counted the days

Until your cannons you could point at us!

The time is come. Trouble beats its wings –

And every day our grudges grow,

And the day will come when every trace

Of your Paestums may vanish!

 –

O, old world! While you still survive,

While you still suffer your sweet torture,

Come to a halt, sage as Oedipus,

Before the ancient riddle of the Sphinx!..

Russia is a Sphinx. Rejoicing, grieving,

And drenched in black blood,

It gazes, gazes, gazes at you,

With hatred and with love!..

 –

It has been ages since you’ve loved

As our blood still loves!

You have forgotten that there is a love

That can destroy and burn!

 –

We love all- the heat of cold numbers,

The gift of divine visions,

We understand all- sharp Gallic sense

And gloomy Teutonic genius…

 –

We remember all- the hell of Parisian streets,

And Venetian chills,

The distant aroma of lemon groves

And the smoky towers of Cologne…

 –

We love the flesh – its flavor and its color,

And the stifling, mortal scent of flesh…

Is it our fault if your skeleton cracks

In our heavy, tender paws?

 –

When pulling back on the reins

Of playful, high-spirited horses,

It is our custom to break their heavy backs

And tame the stubborn slave girls…

Come to us! Leave the horrors of war,

And come to our peaceful embrace!

Before it’s too late – sheathe your old sword,

Comrades! We shall be brothers!

But if not – we have nothing to lose,

And we are not above treachery!

For ages and ages you will be cursed

By your sickly, belated offspring!

 –

Throughout the woods and thickets

In front of pretty Europe

We will spread out! We’ll turn to you

With our Asian muzzles.

 –

Come everyone, come to the Urals!

We’re clearing a battlefield there

Between steel machines breathing integrals

And the wild Tatar Horde!

 –

But we are no longer your shield,

Henceforth we’ll not do battle!

As mortal battles rages we’ll watch

With our narrow eyes!

We will not lift a finger when the cruel Huns

Rummage the pockets of corpses,

Burn cities, drive cattle into churches,

And roast the meat of our white brothers!..

Come to your senses for the last time, old world!

Our barbaric lyre is calling you

One final time, to a joyous brotherly feast

To a brotherly feast of labor and of peace!

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Vaslav Nijinsky

Vaslav Nijinsky

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 stravinsky_6

Stravinsky and Nijinsky

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Credit for the two poems goes to From the Ends to the Beginning: A Bilingual Anthology of Russian Verse; a project hosted at: http://max.mmlc.northwestern.edu/~mdenner/Demo/index.html

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Igor Stravinsky’s The Rite of Spring (in French, Le Sacre du printemps) – the third ballet which Stravinsky composed for Sergei Diaghilev’s Ballets Russes, after The Firebird (1910) and Petrushka (1911) – was written for the 1913 Paris season, and premiered just over a hundred years ago, on 29 May, in the newly-opened Théâtre des Champs-Élysées. The centenary of this most notorious premiere is the occasion for numerous celebrations: new performances, revivals, and festivals which will extend across the next year. The Théâtre des Champs-Élysées is hosting a range of balletic and orchestral performances, in a programme led by Saint Petersburg’s Mariinsky Ballet. In Moscow, four choreographies of the work have been shown by the Bolshoi Ballet over the last two months; with their performance of Pina Bausch’s interpretation set to travel worldwide. The Barbican and the Southbank Centre in London will feature orchestral performances of Stravinsky’s music. Carolina Performing Arts at Chapel Hill have devoted the next year to various showings of the work.

In Amsterdam, as part of the Holland Festival, the Chinese-born choreographer Shen Wei has produced a new version for Het Nationale Ballet. The Paul Sacher Foundation in Basel – which houses the Stravinsky archive – and Boosey & Hawkes are publishing a three-volume centenary edition comprising essays and an annotated facsimile of the score. In Zurich, David Zinman – who studied under and served as assistant to Pierre Monteux, the conductor of The Rite of Spring premiere – will investigate the musical and literary facets of the Rite with the Tonhalle Orchestra on 8 and 9 June. It is something of this endeavour which this piece will also attempt: an exploration of the cultural currents in Russia, centring on conceptions of the East, which led to the development of The Rite of Spring.

The influence of Asiatic art on Russian art, and in the realm of music in particular, was especially evident from the middle decades of the nineteenth century. Mikhail Glinka, the father of Russian classical music, drew extensively in his compositions from Russian folk music, which he had heard growing up as a child near Smolensk, and which was being annotated and collected from the last decade of the 1700s. Glinka’s Ruslan and Lyudmila (1842), an opera in five acts based on Pushkin’s poem, is considered an example of orientalism in music owing to its use of dissonance, chromaticism, and folk melodies. Following Glinka’s lead, Mily Balakirev began combining folk patterns with the received body of European classical music.

Balakirev utilised syncopated rhythms, while Orlando Figes – in Natasha’s Dance: A Cultural History of Russia – argues that his key innovation was the introduction into Russian music of the pentatonic scale. The pentatonic scale has five notes per octave, in contrast to the heptatonic scale, which has seven and which characterised much of the European music of the common practice era between 1600 and 1900. While the pentatonic scale has been diversely used, it is a prominent aspect of South-East Asian music, and is a facet of many Chinese and Vietnamese folk songs. Figes asserts that Balakirev derived his use of the pentatonic scale from his transcriptions of Caucasian folk songs; and writes that this innovation gave ‘Russian music its ‘Eastern feel’ so distinct from the music of the West. The pentatonic scale would be used in striking fashion by every Russian composer who followed…from Rimsky-Korsakov to Stravinsky’.

Balakirev was the senior member of the group of composers also comprising Modest Mussorgsky, Alexander Borodin, Nikolai Rimsky-Korsakov, and César Cui – known variously as The Five, The Mighty Handful, and the kuchkists (‘handful’ in Russian being ‘kuchka’, (кучка)). Balakirev’s compositional manner aside, the central philosophical force upon this group was Vladimir Stasov, who as a critic relentlessly forwarded a national school in the Russian arts. Balakirev’s King Lear (1861), Mussorgsky’s Pictures at an Exhibition (1874), and Rimsky-Korsakov’s Sadko (the name for a tone poem of 1867, and for the opera of 1896) and Scheherazade (1888) were all dedicated to Stasov.

From the early 1860s, Stasov researched and wrote a series of analyses demonstrating the influence of the East ‘manifest in all the fields of Russian culture: in language, clothing, customs, buildings, furniture and items of daily use, in ornaments, in melodies and harmonies, and in all our fairy tales’. His extensive study of the byliny, traditional Russian epic narrative poems, led him to conclude ‘these tales are not set in the Russian land at all but in some hot climate of Asia or the East…There is nothing to suggest the Russian way of life – and what we see instead is the arid Asian steppe’.

While positing the influence of the East was one thing, stating that these traditional Russian songs were in fact not Russian, but had originated entirely elsewhere, drew for Stasov considerable criticism. Any picture of the relationship between Russian and Asiatic art is complex: the developing understanding of this relationship in Russia throughout the 1800s is entwined with so many political and artistic movements and events: the emergence of orientalism after Russia’s annexing of the Crimea in 1783, and while they fought the Caucasian War between 1817 and 1864, which gave Russians a new awareness of and access to the south, and which impelled Lermontov’s A Hero of Our Time; the persisting influence of Western Europe, encouraged in literature by the critic Vissarion Belinsky; and the Slavophilism which opposed the predominance of the West, seeking instead the emergence of a truly distinct Russia rooted in its own past. This Slavophilism gained momentum after the Crimean War from 1853-1856, which saw the British and French empires join the Ottomans against Russia. It was inextricably linked with the Orthodox religion; bore the related pochvennichestvo ‘native soil’ movement; and implicated in different ways Nikolai Gogol and Fyodor Dostoevsky.

Such complexities are encapsulated in a piece Dostoevsky wrote for his A Writer’s Dairy – a periodical he wrote and edited, containing polemical essays and occasional short fiction – in 1881. Dostoevsky, an ardent Slavophile for much of the second-half of his life, advocates for the progress of Russia through an engagement with Asia which will, at the same time, renew Russia’s relationship with Europe:

‘It is hard for us to turn away from our window on Europe; but it is a matter of our destiny…When we turn to Asia, with our new view of her, something of the same sort may happen to us as happened to Europe when America was discovered. With our push towards Asia we will have a renewed upsurge of spirit and strength…In Europe we were hangers-on and slaves, while in Asia we shall be the masters. In Europe we were Tatars, while in Asia we can be Europeans.’

All this is the long background to The Rite of Spring. The Symbolists who would achieve a Silver Age of Russian Literature were influenced by a combination of orientalism, folk tales, European literature, their Russian forebears, and some of those philosophers and mystics who were a product of the heightened religious thinking that was so much a part of Slavophilism. The philosopher Vladimir Soloviev – a close friend of Dostoevsky – has been characterised by D. S. Mirsky as ‘the first Russian thinker to divorce mystical and Orthodox Christianity from the doctrines of Slavophilism’, thereby establishing a metaphysics apart from nationalist sentiment. Mirsky depicts Soloviev as leaning towards Rome in matters of theology, and as a Westernising liberal politically. Yet he too was fascinated with the East. An important figure for Andrei Bely – whom Mirsky places alongside Gogol and Soloviev as the three ‘most complex and disconcerting figures in Russian literature’ – and for Alexander Blok, Blok’s The Scythians takes for its epigraph two lines from Soloviev’s 1894 poem ‘Pan-Mongolism’: ‘Pan-Mongolism! What a savage name!/Yet it is music to my ears’.

The Scythians was Blok’s last major poem, completed in 1918, just after The Twelve. Mirsky calls it an eloquent piece of writing, but ‘on an entirely inferior level’ as compared with ‘musical genius’ of The Twelve. Its title references the group of poets of the same name: an offshoot of Russian Symbolism in so far as it consisted of its two leading figures, Bely and Blok, plus the writer Ruzumnik Ivanov-Razumnik.

The Scythians as an ethnographic group were nomadic Iranian-speaking tribes, who inhabited the Eurasian steppes around the Black and Caspian seas from about the eighth century b.c.. Herodotus believed that, after warring with the Massagetae, they left Asia and entered the Crimean Peninsula. In literature, ‘Scythian’ increasingly became a derogatory term to describe savage and uncivilised people. Shakespeare refers to ‘The barbarous Scythian’ in King Lear; while Edmund Spenser sought to declaim the Irish by positing that they and the Scythians shared a common descent.

Alexander Pushkin used the term more warmly in his poetry, writing ‘Now temperance is not appropriate/I want to drink like a savage Scythian’; and in the Russia of the late nineteenth century, it came to be used to infer those qualities of the Russian people which marked them apart from Western Europeans. Abetted by archaeological excavations of Scythian kurgans (burial mounds) on Russian soil, a shared heritage with the Scythians was hypothesised as ‘Scythian’ became a byword for Russia’s historical past, Russian character, Russian otherness, and thereby also for Russia’s future.

Emphasising the conflux of Eastern influences in The Rite of Spring, Orlando Figes argues that Stravinsky’s ballet ought to be viewed particularly as a manifestation of this interest in all things Scythian. The painter Nicholas Roerich had initially trained as an archaeologist. He had worked with the archaeologist and orientalist Nikolay Veselovsky in excavating the Maikop kurgan in Maikop, Southern Russia, in 1897. The Maikop kurgan was dated as far back as the third millenium b.c., and revealed two burials, containing rich artifacts including a bull figurine made of gold. Roerich was an adherent of Stasov, and when he began work on a series of paintings depicting the early Slavs, he sought Stasov’s advice regarding ethnographic details. Stasov advised him that wherever there was a lack of local evidence, it was appropriate to use artistic and cultural details from the East since ‘the ancient East means ancient Russia: the two are indivisible’.

Though the specifics of his background and his orientalism were not entirely fluent with the group’s more worldly outlook, Roerich became an entrenched figure in Diaghilev’s World of Art movement. After designing the sets for The Polovtsian Dances – a ballet excerpted from Borodin’s opera Prince Igor, which featured during the Ballets Russes first season in 1909 – Roerich went on to work with Stravinsky on the concept, setting and costumes for The Rite of Spring.

The idea for The Rite of Spring had emerged by 1910; Petrushka, which premiered a year later, two years before The Rite of Spring‘s own premiere, was the product of a very different core of people. While Diaghilev quickly became the prominent figure in the movement – owing to his bold entrepreneurial personality; his appetite for and ability to synthesise knowledge; and driving the publication of the magazine of the same name from 1899 – the World of Art (‘Mir iskusstva’ (Мир иску́сств)) originally comprised a group of Petersburg students around Alexandre Benois and Léon Bakst. Mirsky describes Benois as ‘the greatest European of modern Russia, the best expression of the Western and Latin spirit. He was also the principal influence in reviving the cult of the northern metropolis and in rediscovering its architectural beauty, so long concealed by generations of artistic barbarity…But he was never blind to Russian art, and in his work…Westernism and Slavophilism were more than ever the two heads of a single-hearted Janus’.

The World of Art embodied these two poles, and was part of the energetic and diverse avant-garde in Russia in the first decade of the 1900s. This avant-garde also included the Symbolists in literature, and Alexander Scriabin in music – an influential composer who experimented with forms of atonal music, and who was much loved by Stravinsky. After Diaghilev’s successes staging Russian opera and music in Paris towards the end of the decade, the Ballets Russes was formed. Bakst produced scenery for the company’s adaptation of Scheherazade in 1910; while Benois designed the sets for many of its earliest productions. He worked especially on Petrushka. Mirsky suggests that not only the set design but the very idea of the ballet ‘belongs to Benois, and once more he revealed in it his great love for his native town of Petersburg in all its aspects, classical and popular’. Both Scheherazade and Petrushka were choreographed by the established dancer and choreographer Michel Fokine.

When it comes to locating the genesis of The Rite of Spring, Lawrence Morton has asserted the probable influence on Stravinsky of Sergey Gorodetsky’s mythological poetry collection Yar. Stravinsky set two of Yar‘s poems to music between 1907 and 1908. He claimed that the idea for the ballet came to him as a vision, of a ‘solemn pagan rite’ in which a girl danced herself to death for the god of spring. Yet Roerich had written in 1909 an essay, entitled ‘Joy in Art’, which depicted ancient Slav spring rituals of human sacrifice. Figes argues the concept for the ballet was originally Roerich’s, and that ‘Stravinsky, who was quite notorious for such distortions, later claimed it as his own’; Thomas F. Kelly, in writing a history of the ballet’s premiere, has argued much the same thing.

Whatever, by May 1910 Stravinsky and Roerich were discussing together their ideas for the ballet. A provisional title, ‘The Great Sacrifice’, was quickly decided upon. Stravinsky spent much of the next year working on Petrushka. Then in July 1911, he visited Roerich at Talishkino, an artist’s colony presided over by the patron Princess Maria Tenisheva, where the scenario for the Rite – ‘a succession of ritual acts’ – was fully plotted out.

Figes considers that the ritual which the ballet explicitly evokes may have been based on Roerich’s archaeological research, during which he had found some evidence of midsummer human sacrifice among the Scythians. The switch from summer to spring was motivated partly by an attempt to link the rite to traditional Slavic gods; and ‘was also based on the findings of folklorists such as Alexander Afanasiev, who had linked these venal cults with sacrificial rituals involving maiden girls’. While Stravinsky composed the ballet, Roerich worked on the sets and costumes, which were rich in ethnographic details: drawing from his archaeological studies, from medieval Russian ornament, and from collections of traditional peasant dress.

The controversy of the ballet’s premiere in Paris is often conceived as Stravinsky’s. He wrote in his autobiography of the mockery of some members of the audience upon hearing the opening bars of his score, which built upon Lithuanian folk songs; and the orchestra were littered with projectiles as they performed. Other critics, however, have forwarded Roerich’s costumes as the ballet’s most shocking aspect. Others still, including the composer Alfredo Casella, felt that it was Vaslav Nijinsky’s choreography which most drew the audience’s ire. Figes writes:

‘the music was barely heard at all in the commotion…Nijinsky had choreographed movements which were ugly and angular. Everything about the dancers’ movements emphasised their weight instead of their lightness, as demanded by the principles of classical ballet. Rejecting all the basic positions, the ritual dancers had their feet turned inwards, elbows clutched to the sides of their body and their palms held flat, like the wooden idols that were so prominent in Roerich’s mythic paintings of Scythian Russia.’

Nijinsky had been a leading dancer for the Ballets Russes since 1909. His first choreographic enterprise came with L’après-midi d’un faune, based on music by Debussy, which premiered in 1912. This debut choreography proved controversial: among mixed responses to the ballet’s premiere, Le Figaro‘s Gaston Calmette wrote, in a dismissive front-page review, ‘We are shown a lecherous faun, whose movements are filthy and bestial in their eroticism, and whose gestures are as crude as they are indecent’. Nijinsky’s second choreographic work, again after Debussy, was Jeux, which premiered just a couple of weeks before The Rite of Spring.

Nijinsky and Diaghilev had become lovers after first meeting in 1908. In the aftermath of Nijinsky marrying Romola de Pulszky in September 1913, while the Ballets Russes – without Diaghilev – toured South America, Diaghilev fired Nijinsky from his company. He reappointed Michel Fokine as his lead choreographer, despite feeling that Fokine had lost his originality. Fokine refused to perform any of Nijinsky’s choreography. A despairing Stravinsky wrote to Benois, ‘The possibility has gone for some time of seeing anything valuable in the field of dance and, still more important, of again seeing this offspring of mine’.

When Fokine returned to Russia upon the onset of World War I, Diaghilev began to negotiate for Nijinsky to return to the Ballets Russes. However, Nijinsky was in Vienna, an enemy Russian citizen under house arrest, and his release was not secured until 1916. In that year, Nijinsky choreographed a new ballet, Till Eulenspiegel, and his dancing was acclaimed; but he was showing increasing signs of the schizophrenia that would rule the rest of his life, and he retired to Switzerland with his wife in 1917. Without Nijinsky to offer guidance, the Ballets Russes were incapable of reviving his choreography for The Rite of Spring. His choreography was considered lost until 1987, when the Joffrey Ballet in Los Angeles performed a reconstruction based on years of painstaking research. Meanwhile, after the 1913 premiere, Stravinsky would continue to revise his score over the next thirty years.

Nicholas Roerich is perhaps best known today for his own paintings, for his spirituality, and for his cultural activism. His interest in Eastern religion and in the Bhagavad Gita flourished through the 1910s, inspired in part by his reading of the poetry of Rabindranath Tagore. Emigrating to London in 1919, then to the United States in 1920, in 1925 Roerich and his family embarked on a five-year expedition across Manchuria and Tibet. He was nominated for the Nobel Peace Prize several times; while the Roerich Pact – an inter-American treaty signed in Washington in 1935 – established legally the precedence of cultural heritage over military defence. His art and his life is celebrated by the Nicholas Roerich Museum, which holds more than 200 of his paintings, located on Manhattan’s Upper West Side.

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Figes, O. Natasha’s Dance: A Cultural History of Russia (London; Penguin, 2003)

Gibian, G. (ed.) The Portable Nineteenth Century Russian Reader (Penguin, 1993)

Mirsky, D. S. A History of Russian Literature (London; Routledge & Kegan Paul, 1968)